2023-01-01

MURIO LA VIEJA PUTA JUDIA BARBARA WALTERS

 

Barbara Walters’ most fascinating interviews in her five-decade career

Barbara Walters, the pioneering broadcaster and grande dame of celebrity journalism, made her mark when she was only 34 years old. It was the day after the assassination of President John F. Kennedy in November 1963 and Walters was then a reporter on NBC’s “Today Show”.

Host Hugh Downs turned it over to a very young-looking and somber Walters, who proceeded to give a detailed, flawless and moving 5-minute report — without benefit of a teleprompter or video footage — about what she saw and heard in Manhattan in the hours after JFK’s murder.

Walters’ poise and articulation in the middle of one of the biggest news stories of the century foreshadowed an astonishing career of more than 50 years in front of the camera.

She went on to interview 10 US presidents in her lifetime. But as the news became more intertwined with showbiz, Walters really hit her stride, drawing up to 70 million viewers for her sometimes controversial, sometimes poignant, often pointed and provocative interviews with celebrities and news-makers.

Here are some of her most fascinating interviews:

DONALD TRUMP

Sitting uncomfortably close to one another, when Trump’s businesses were on the precipice, Walters did not hold back when grilling the future president in 1990 about his precarious finances. Trump attempted to wave away doubts about his wealth as “lies” and claimed bankers had told him he was “stronger than ever.” But Walters wasn’t having it. She announced Trump was on the “verge of bankruptcy” and had been “bailed out by the banks.”

Walters, Donald Trump
Walters spoke with Donald Trump in 1990.
©ABC/Courtesy Everett Collection

“Skating on thin ice and almost drowning, that’s a businessman to be admired?” asked Walters.

CHRIS CHRISTIE

Walters started off the 2012 sitdown with the portly Republican New Jersey governor by admitting she felt “very uncomfortable asking this question,” before noting, “You are a little overweight.” Christie chimed in, affably, saying he was “more than a little.” Walters paused for a minute before asking, “Why?” Said Christie: “If I could figure that out, I’d fix it.”

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Barbara Walters, Chris Christie
In 2012, Walters interviewed former Governor Chris Christie as part of a Disney special called “Barbara Walters Presents: The 10 Most Fascinating People of 2012.”
Walters, Chris Christie
Walters sat down with the former governor.
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Walters, Chris Christie, wife
The interview was released as a 90-minute special alongside 9 other interviews.
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BROOKE SHIELDS

Shields, now, 57, complained in November that she felt taken advantage of by Walters’ biting questions during a 1981 sitdown with her mother, Teri Shields, shortly after Shields’ famous Calvin Klein jeans campaign.

“She asked me what my measurements were and asked me to stand up,” Shields, who was 15 at the time, told Drew Barrymore. “And I stand up, and she was like comparing herself to this little girl. And I thought, ‘This isn’t right. I don’t understand what this is.’”

“But I just behaved and just smiled,” she said, acknowledging that she “felt so taken advantage of in so many ways.”

MONICA LEWINSKY

Walters scooped the world with her 1999 interview with Lewinsky after her scandalous affair with then-president Bill Clinton, garnering 74 million viewers in the process. Walters grilled Lewinsky about whether she still was in love with Clinton. Lewinsky said: “No. Sometimes I have warm feelings. Sometimes I’m proud of him still, and sometimes I hate his guts. And, he makes me sick.” Walters asked Lewinsky, “What will you tell your children, when you have them?” Lewinsky said simply: “Mommy made a big mistake.”

Barbara Walters, Monica Lewinsky,
The innovative journalist also sat down with Monica Lewinsky in 1999.
©ABC/Courtesy Everett Collection

FIDEL CASTRO

When Walters flew to Havana to interview Castro in 1977 she expected a lot of pugnacity and suspicion. Instead, she said, it turned into a 10-day adventure which included her driving around Cuba in Castro’s open Jeep — and sometimes holding his gun. Castro took her to the Bay of Pigs and Sierra Maestra, the mountainous region where Castro lived and trained with his rebel fighters before overthrowing Batista in 1959.

Walters, Fidel Castro with cameraman in car
Walters rides along with Fidel Castro during her 1977 interview.
Courtesy Everett Collection

CHRISTOPHER REEVE

Walters sat face-to-face with the actor in 1995 not long after he was rendered a quadriplegic in a freak horse-riding accident. Walters drilled down on the details of his accident, as well as Reeve’s difficulties being paralyzed — and how sometimes his air hose could get disconnected by mistake at night and he could only hope someone would get to him in time. Walters’ questions didn’t spare Reeve but the emotion showed on her face.

Christopher Reeve, Barbara Walters
Christopher Reeve was interviewed in 2002 at his upstate New York home.
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MUAMMAR GADDAFI

In January 1989, when the Libyan dictator was flying high and enjoying his power, Walters flew to Tripoli to interview him in one of his famous tents. Gaddafi criticized American leaders and called the media “Zionists” out to get him. Walters called him “crazy” in the interview but later backtracked in the ABC studios speaking to George Stephanopoulos. “He was crazy like a fox,” Walters said. “He thought that he was going to be the king of the whole Arab world.”

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RICKY MARTIN

The singer said last year that his grueling sit-down with Walters in 2000 left him with PTSD. Ten years before he would come out as gay, Walters goaded him to address the gossip: “You could stop these rumors,” she said.

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Barbara Walters and Ricky Martin
Walters spoke with performer Ricky Martin on “The View” in 2010.
Barbara Walters
Walters was on “The View” for 17 years.
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“You could say, ‘Yes I am gay or no I’m not.’ ” Coolly, Martin responded, “I just don’t feel like it.” Years later, Walters said she regretted asking him about his sexuality. ““I pushed Ricky Martin very hard to admit if he was gay or not, and the way he refused to do it made everyone decide that he was,” she said in 2010. “A lot of people say that destroyed his career, and when I think back on it now, I feel it was an inappropriate question.”

MIKE TYSON AND ROBIN GIVENS

Seven months after the then-heavyweight champion and actress Givens married in 1988, the couple made the dubious decision to be interviewed by Walters.

On "The Barbara Walters Special" in 1988, Barbara Walters interviewed heavyweight boxer Mike Tyson and his wife, actress Robin Givens.
On “The Barbara Walters Special” in 1988, Barbara Walters interviewed heavyweight boxer Mike Tyson and his wife, actress Robin Givens.
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Tyson sat next to Givens, who starred in ABC’s “Head of the Class,” while she described being married to him as “torture, pure hell, worse than anything I could possibly imagine.” Asked Walters, “Does he hit you?” Givens paused for a beat, then said, “He shakes. He pushes. He swings. Sometimes I think he’s trying to scare me … He’s got a side to him that is scary. There are times when I thought I could handle it, and just recently, I’ve become afraid. I mean very, very much afraid.” The pair, not surprisingly, divorced a few months later.

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malditos judios que apoyan a Bandera y a los nazis cierran el museo de Bulgakov en Kiev

 

‘Propaganda literature’: calls to close Mikhail Bulgakov museum in Kyiv

The Master and Margarita writer’s antipathy to Ukrainian nationalism has led to some demanding his old house be renamed or repurposed

Lyudmila Gubianuri, the director of the Mikhail Bulgakov museum.
Lyudmila Gubianuri, the director of the Mikhail Bulgakov museum, who is against changing the building, called the writer of ‘a man of his time’. Photograph: Sergei Supinsky/AFP/Getty Images

In his novel The White Guard, Mikhail Bulgakov painted an evocative portrait of his childhood home. Inside, there was a Dutch stove blazing with heat, a piano and a library, and cream-coloured curtains. The family’s first-floor apartment was located in “a two-storey house of strikingly unusual design”. In winter, the snow topping the roof resembled “a White general’s fur cap” – a reference to the anti-Bolshevik White movement.

But Bulgakov’s house in Kyiv is now at the centre of a bitter public dispute. In Soviet times it became a literary museum. Ukraine’s national writers’ union has called for the museum at number 13A Andriivskyi Descent – a historic cobbled street linking the upper town with the district of Podil, on the banks of the Dnipro River – to be closed down.

It cites Bulgakov’s well-known antipathy to Ukrainian nationalism and the “horror, death and destruction” that Russia is currently inflicting on Ukraine. According to the union, Bulgakov “hated” the idea of Ukrainian statehood and “glorified” the Russian tsar and monarchy. He also “smeared” Ukrainian nationalists including Symon Petliura, whose troops entered Kyiv in 1918, it says.

Set amid the tumultuous events of that year, The White Guard describes how Petliura’s forces besieged the capital. Defending it was a disorganised group of White officers including the fictional Turbin brothers. The Turbins are loosely based on Bulgakov and his family. He wrote the novel in the early 1920s. It was only published in full in 1966 after his death.

The debate over Bulgakov’s cultural legacy began in 2015, after Moscow annexed Crimea and initiated a bloody war in the eastern Donbas region. In a scathing essay, the writer Oksana Zabuzhko described his work as “propaganda literature”. She proposed renaming the museum after Vasyl Listovnych, Bulgakov’s downstairs neighbour who owned the house.

The Bolsheviks executed Listovnych when they swept into Kyiv. Bulgakov depicts his landlord in The White Guard as an “unpleasant” miser and “cowardly engineer”. “You should at least know Ukrainian culture. Don’t confuse owners and tenants,” Zabuzhko wrote. She added: “It’s time for us, dear Kyivans, to at least hang a memorial plaque for a start to Vasyl Listovnych.”

February’s invasion has prompted a widespread re-evaluation of Russian monuments and street names. Some have been removed, including a memorial plaque to Bulgakov outside Kyiv University, where the writer studied medicine. The culture minister, Oleksandr Tkachenko, said this process was not “de-Russification”. Instead, he argues, it is about “overcoming the consequences of Russian totalitarianism”, with cases decided after consultation.

The Ukrainian flag flying outside the Mikhail Bulgakov museum.
The Ukrainian flag flying outside the Mikhail Bulgakov museum. Photograph: Sergei Supinsky/AFP/Getty Images

The minister has pointed to the way in which the Kremlin has used Russian culture as a “weapon of war”. In Kherson – the southern city liberated by Ukraine in November – Russian invaders hung banners celebrating Pushkin, Russia’s leading poet. They have banned the Ukrainian language, removed Ukrainian books from schools and libraries, and used explosives to demolish busts of Ukraine’s national poet, Taras Shevchenko.

Speaking in September, Tkachenko rejected calls to shut down the Bulgakov museum. He noted the anti-Ukrainian opinions that offended the writers’ union were “dialogue” spoken by fictional characters at the beginning of the 20th century, during what he called a “liberation struggle”. “I think the museum is not to blame. It definitely shouldn’t be touched,” he said.

The museum’s director, Lyudmila Gubianuri, has also hit back against criticism, calling Bulgakov “a man of his time”. “He was born and lived in the Russian empire. Bulgakov had an inherent imperial mindset, but neither he nor his family were ever Ukrainophobes,” she stressed. “Bulgakov did not believe in the reality of an independent Ukraine, like quite a lot of people at that time.”

Mikhail Bulgakov ‘hated’ the idea of Ukrainian statehood, according to one group of writers.
Mikhail Bulgakov ‘hated’ the idea of Ukrainian statehood, according to one group of writers. Photograph: Heritage Image Partnership Ltd/Alamy

She continued: “That’s why we can’t consider him a Ukrainian writer, although he was born in Kyiv and lived here for most of his life. But Bulgakov’s work is definitely part of Ukrainian cultural space.” His sympathies – in The White Guard and in his novel The Master and Margarita – were “metaphysical” rather than “political”, she said.

Bulgakov’s English translator Roger Cockrell described him as a “Russian writer trapped in Soviet space”. Bulgakov’s relationship with Stalin was “highly complex”, he said. The Soviet leader admired the writer’s plays including The Days of the Turbins, based on The White Guard. But he refused to allow Bulgakov to travel abroad to Rome and Paris, and stopped him after 1925 from publishing prose. “Bulgakov certainly didn’t like Stalin,” Cockrell said.

The White Guard was neither autobiography nor history, he added. “It’s a visionary novel springing from a highly original and creative imagination,” he suggested, adding it would be a “shame” if the museum was forced to close. Cockrell said he had devoted much his life to Russian literature. He recognised its greatness coexisted with the “appalling horribleness” of Vladimir Putin. “There are two Russias,” he claimed.

Other observers have argued there is no meaningful distinction. Olesya Khromeychuk, the director of the Ukrainian institute in London, said Russian writers traditionally portrayed Ukrainians as “cunning, silly and uncultured”. “There is a constant othering of them and other non-Russians,” she said, adding: “I would encourage people to read Russian literature critically.”

Khromeychuk – the author of a memoir about her brother, who was killed in 2017 fighting with the Ukrainian army – said Moscow had repeatedly tried to wipe out Ukrainian culture. She cited members of the Ukrainian avant garde who were executed in the 1920s and 1930s, and the poet and dissident Vasyl Stus, who perished two generations later – in 1985 – in a Soviet labour camp.

“There is so much anti-imperialist Ukrainian literature people don’t know about. You can start with Shevchenko and Lesya Ukrainka [the feminist writer and poet],” she said.

Invasion: Russia’s Bloody War and Ukraine’s Fight for Survival by Luke Harding is published by Guardian Faber and is available from the Guardian bookshop